The foremost on-screen characters – Saif Ali Khan, debutante Alaya Furniturewalla and Tabu (in a unique appearance as a teasing bohemian who, by her own confirmation, is upbeat among contemplation and hashish) – get into the swing of things without breaking a sweat, raising the dramedy to a strange level.
An Amsterdam-brought into the world Indian young lady searching for her dad discovers him in London. An affirmed lone ranger who, as one of his companions reminds him, is at a point of life where he has a more drawn out past than a future, finds a reason despite the fact that he isn’t generally searching for one. It takes him a lot of time to comprehend the abrupt interruption. At the point when he does, he finds love in perhaps the most flawless structure – the adoration that he feels for his little girl and her unborn youngster.
This to a great extent unsentimental and totally non-critical brand of narrating in which even the defective male hero isn’t put under a moralistic scanner for his offenses. He gushes lines like “Sher tab tak raja hota hai hit tak akela hota hai (A lion is a lord just until it chases alone),” yet he isn’t anticipated as a totally unfeeling brute.
Jazz has no second thoughts about having one-night stands and has no opportunity to either glance back at how he has lived up to this point or stress over what’s on the horizon for him. In any case, the best-laid plans of men… go astray, isn’t that right? Jazz gets his comeuppance not as discipline for acting rashly however as a compensation for holding tight until he is prepared to bear the obligation of a little girl resulting from an energetic indulgence – Tabu’s character, Ananya, who discusses chakras and positive vitality, calls it ‘sambhog’ and leaves it at that.
The most fascinating part of Jawaani Jaaneman is that, notwithstanding stray groupings in which Jazz’s mother (Farida Jalal) and father fuss over their children’s decisions, it doesn’t have any character sitting in judgment on the activities of the others. At the point when the legend’s mom discovers that she has a granddaughter who, on her part, is weeks from turning into an unwed mother herself, she doesn’t do a twofold flip.
